works

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2020


See Slow Blue for clarinet, violin, cello and percussion [5′]
composed for LSO players as part of the Panufnik Composers Scheme


Orange Room for flexible instrumentation, objects and audio [18′]
composed for a forthcoming EP collaboration with Lara Agar


Pink Room for open instrumentation [9′]
composed for a forthcoming EP collaboration with Lara Agar


Tunnel Music for harp and audio [9′]
commissioned by Cara Dawson for Red Panel
[postponed] fp 7th April 2020 / Red Panel / St Mary-at-Hill Church, London, UK


2019


Jangle Consort for guitar trio and audio [10′]
commissioned by 840 Series for What Guitar Trio
fp 17th December 2019 / 840 Series / Iklectik, London, UK


Shoegaze Medieval for four instruments and audio [10′]
commissioned by the Richmond Concert Society for W37 Saxophone Quartet
fp 16th July 2019 / Richmond Concert Society / St Mary the Virgin, Twickenham, UK


LIDO for percussion trio and audio [21′]
for Antonin Granier and Ben Clark
fp 13th June 2019 / Loose, Line, Layer / St Mary-at-Hill Church, London, UK


more lines and ballads for chamber orchestra [6′]
for London Symphony Orchestra and Guildhall Artistry Players
workshop performance 4th March 2019 / Silk Street Music Hall, London, UK


2018


plains (for three) for SSA [6′]
for Juice Vocal Ensemble
fp 14th July 2018 / Cheltenham Music Festival / Chapel Arts, Cheltenham, UK


comber for bass clarinet, electric guitar, percussion, violin and cello [10′]
for Plus Minus Ensemble
fp 29th June 2018 / Silk Street Music Hall, London, UK


DUG for two voices, violin, cello and accordion [7’]
text by Gareth Mattey
fp 7th June 2018 / Wigmore Hall, London, UK


later, field for mezzo-soprano and piano [6’]
text by Lara Agar
for Rosalie Warner and Lana Bode
fp 10th May 2018 / Silk Street Music Hall, London, UK


other things for double bass and piano [13’]
for João Lucas and Jason Gong
fp 2nd May 2018 / Silk Street Music Hall, London, UK


32 landscapes for six voices for soprano, alto, countertenor, tenor, baritone and bass [6’]
for EXAUDI Vocal Ensemble
fp 20th March 2018 / Milton Court Concert Hall, London, UK


2017


TWINE for violin, soprano saxophone and accordion [12’]
for choreography by Harry Ondrak-Wright
fp 6th December 2017 / The Place Theatre, London, UK


its true nature remained essentially unchanged for two pianos [6’]
fp 22nd September 2017 / Milton Court Concert Hall, London, UK


within the remit of possibility for recorder, piano/melodica, electric guitar and violin [9’]
for OUT-TAKE Ensemble
fp 6th March 2017 / Talking Heads, Southampton, UK


2016


shallow frames for symphony orchestra [6’]
for the Southampton University Symphony Orchestra
fp 24th September 2016 / Swaythling Methodist Church, Southampton, UK


SONNET 147 for mezzo-soprano and lute [5′]
for Anna Starushkevych and Elizabeth Kenny (Theatre of the Ayre)
shortlisted for the NCEM Young Composers Award 2016
fp 12th May 2016 / St Margaret’s Church, York, UK


bailrigg for string quartet [7′]
for the Kreutzer Quartet
workshop performance 7th March 2016 / University of Southampton, UK


2015


DIFFUSE, VERMOUTH, RECLUSE for two pianos and two percussion [11’]
for the Crumb Quartet
fp 22nd January 2016 / Turner Sims Concert Hall, Southampton, UK


THE REAL for soprano and bass clarinet [8’]
for Juliet Fraser and Tom Jackson
fp 4th December 2015 / Turner Sims Concert Hall, Southampton, UK


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