Listen to some recent music here


Bobby D for violin, harmonium, two guitars, percussion and harmonicas [9′]
written for Laurence Crane’s 60th birthday
fp 18th October 2021 / Festival of Laurence Crane: A Tribute Concert, St Giles Cripplegate, London, UK

Parlour for solo harp  [c. 8′]
for Cara Dawson


See Slow Blue for clarinet, violin, cello and percussion [6′]
recorded by LSO players and released on NMC’s digital album ‘Six Degrees of Separation’

Orange Room for 10 or more players with flexible instrumentation [21′]

Pink Room for open instrumentation [9′]

Tunnel Music for harp and audio [9′]
for Cara Dawson
fp 24th November 2020 / The State51 Factory, London, UK


Jangle Consort for guitar trio and audio [10′]
commissioned by 840 Series for What Guitar Trio
fp 17th December 2019 / 840 Series / Iklectik, London, UK

Shoegaze Medieval for four instruments and audio [10′]
commissioned by the Richmond Concert Society for W37 Saxophone Quartet
fp 16th July 2019 / Richmond Concert Society / St Mary the Virgin, Twickenham, UK

LIDO for percussion trio and audio [21′]
for Antonin Granier and Ben Clark
fp 13th June 2019 / Loose, Line, Layer / St Mary-at-Hill Church, London, UK

more lines and ballads for chamber orchestra [6′]
for London Symphony Orchestra and Guildhall Artistry Players
workshop performance 4th March 2019 / Silk Street Music Hall, London, UK


plains (for three) for SSA [6′]
for Juice Vocal Ensemble
fp 14th July 2018 / Cheltenham Music Festival / Chapel Arts, Cheltenham, UK

comber for bass clarinet, electric guitar, percussion, violin and cello [10′]
for Plus Minus Ensemble
fp 29th June 2018 / Silk Street Music Hall, London, UK

DUG for two voices, violin, cello and accordion [7’]
text by Gareth Mattey
fp 7th June 2018 / Wigmore Hall, London, UK

later, field for mezzo-soprano and piano [6’]
text by Lara Agar
for Rosalie Warner and Lana Bode
fp 10th May 2018 / Silk Street Music Hall, London, UK

other things for double bass and piano [13’]
for João Lucas and Jason Gong
fp 2nd May 2018 / Silk Street Music Hall, London, UK

32 landscapes for six voices for soprano, alto, countertenor, tenor, baritone and bass [6’]
for EXAUDI Vocal Ensemble
fp 20th March 2018 / Milton Court Concert Hall, London, UK


TWINE for violin, soprano saxophone and accordion [12’]
for choreography by Harry Ondrak-Wright
fp 6th December 2017 / The Place Theatre, London, UK

its true nature remained essentially unchanged for two pianos [6’]
fp 22nd September 2017 / Milton Court Concert Hall, London, UK

within the remit of possibility for recorder, piano/melodica, electric guitar and violin [9’]
for OUT-TAKE Ensemble
fp 6th March 2017 / Talking Heads, Southampton, UK


shallow frames for symphony orchestra [6’]
for the Southampton University Symphony Orchestra
fp 24th September 2016 / Swaythling Methodist Church, Southampton, UK

SONNET 147 for mezzo-soprano and lute [5′]
for Anna Starushkevych and Elizabeth Kenny (Theatre of the Ayre)
shortlisted for the NCEM Young Composers Award 2016
fp 12th May 2016 / St Margaret’s Church, York, UK

bailrigg for string quartet [7′]
for the Kreutzer Quartet
workshop performance 7th March 2016 / University of Southampton, UK


DIFFUSE, VERMOUTH, RECLUSE for two pianos and two percussion [11’]
for the Crumb Quartet
fp 22nd January 2016 / Turner Sims Concert Hall, Southampton, UK

THE REAL for soprano and bass clarinet [8’]
for Juliet Fraser and Tom Jackson
fp 4th December 2015 / Turner Sims Concert Hall, Southampton, UK